(Apple, meanwhile, has remained tightlipped about what, if any, presence they may have.) NBC will only move forward with its panels if there is no actors strike, but that protocol does not necessarily extend to its sister streamer, Peacock.Īnd Amazon plans to have some kind of presence - Season 2 of “The Wheel of Time” and “The Boys: Gen V” are due to premiere in the fall - but the streamer is still sorting out what that will be. Paramount Pictures expects to hold a panel for the animated feature “Teenage Mutant Ninja Turtles: Mutant Mayhem,” but its streamer, Paramount+, has yet to commit to panels for its “Star Trek” shows. Other studios are still maintaining a wait-and-see posture: Warner Bros., which needs a robust PR boost for upcoming DC features “Blue Beetle” and “Aquaman and the Lost Kingdom,” has yet to rule out skipping Comic-Con, and the company’s streaming service, Max, is planning on bringing some animation titles to the convention.
Meltdown comics haunted series#
And Netflix, which just held its massive Tudum fan event in Brazil, where it debuted first looks at big-budget genre series including its “One Piece” adaptation, is also sitting out SDCC this year. Nor are Sony Pictures (with “Gran Turismo” and “Kraven the Hunter” this year) and Universal Pictures (with “Last Voyage of the Demeter,” “Strays” and “The Exorcist” this year). Disney and its subsidiaries Marvel Studios and Lucasfilm are not planning any panels, cutting off the chance to showcase the casts for upcoming projects like “The Marvels,” “Loki” Season 2, “Ahsoka” and “Haunted Mansion.” HBO (which has “True Detective” Season 4 soon and “House of the Dragon” Season 2 still in production) isn’t going. If SAG-AFTRA and the AMPTP cannot come to terms by the June 30 contract deadline and the guild goes on strike, actors will almost certainly join writers and showrunners in sitting out promotional events like Comic-Con, leaving studios with almost no one to populate panels in front of thousands of expectant fans.Īmid that uncertainty, several studios have preemptively nixed plans for a robust presence at SDCC this year. So get ready to blast off in a rocket fuelled Starfield performance preview.At least, that’s what studios across the industry are anticipating. We also compare the improvements over the previous showing, enhancements within the engine, and much more.
Meltdown comics haunted Pc#
The biggest question after the show(s) was: why is it 30fps on Xbox Series X and Series S and not 60fps? In this IGN Performance preview, we dive into the details shared by the team, the revealed PC minimum and recommended specifications, and how the Creation Engine 2 works, comparing the previous games to gauge some of the potential reasons why the team might have chosen 30fps. With Starfield being the center of the Xbox 2023 Showcase last week, Bethesda gave us a deep dive into one of the biggest games this generation. For those reasons, I can't recommend it to anyone, regardless of how wonderfully weird the central concept might be. It's also a loud and very annoying comic. This tank is simply lost in the Iraqi desert, and it looks like the only thing that will come out of this set-up is some forced understanding between the racist confederate general and the outraged African American tank commander. It's also worth pointing out that we're now two issues into this five issue miniseries, and it's impossible to pinpoint a worthwhile dramatic arc. Artist Henry Flint no doubt played a part in the issue's narrative deficiencies at times, it's difficult to even tell what is going on, or where each character is situated in relation to the others. There is action, yes, and the ghost of General Stuart even clumsily teaches the tank squad a convenient strategic lesson, but the pacing, flow and rhythm of the plot are all off. More troubling than the comics' lack of comedic sensibility is the utter and absolute lack of anything one could call a coherent narrative. Oh, and one of the soldiers raps in unison with a captured and wounded Iraqi. What's important is this dialogue is neither as funny nor as interesting as Marrafino no doubt intends it to be.
There's also an ongoing dialogue about how the negative connotations of black – as in black flag, black list, and black balled – came about thanks to racist ideology. This back and forth literally goes on for the entire issue, as Marrafino bludgeons us over the head with the same unfunny beat over and over again. Jeb Stuart, the ghostly confederate general who haunts the story's titular tank, is simply used as a mouthpiece to deliver antiquated racial slurs, to which the tank's African American commander responds with vulgar cries of outrage. In that regard I suppose the tone is consistent. That criticism doesn't really apply to this issue, as Marrafino more or less spends the whole book delivering one dumb joke after another. In my review of this series' first issue, I lamented Marrafino's failure to decide upon a consistent tone for this story.
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